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Hot Off the Press: Read all about glass in Volume 63 of the Journal of Glass Studies

The Corning Museum of Glass is excited to announce the publication of Volume 63 of the Journal of Glass Studies (JGS). First produced in 1959, JGS is a peer-reviewed scholarly journal that publishes original research on topics related to the history of glass, from its beginnings to the mid-20th century. It appears in print annually every fall, with articles released to JStor a few months later.

At 412 pages, JGS 63 (2021) is among the largest volumes of the Journal ever produced, with 16 articles, 8 notes, and 5 necrologies. It is as international as ever, with 40 contributors based in 20 countries: China, the Czech Republic, Denmark, Egypt, Estonia, Finland, France, Germany, Hungary, Israel, Italy, Lebanon, Norway, Qatar, Slovakia, Slovenia, Spain, Sweden, the United Kingdom, and the United States. The Table of Contents with article abstracts can be found online.

Josh Simpson at The Corning Museum of Glass in 2019.

“As a glass artist, I’m inspired by the planets. Actually, I’ve always been inspired by the planets, even when I was a kid I loved looking up at the stars,” says Josh Simpson in the new Netflix documentary The Wonderful: Stories from the Space Station.

The documentary, which had a short run at Corning’s Palace Theatre recently, tells the stories of the men and women from around the world that have lived on the International Space Station (ISS). There is plenty of footage of rockets blasting off and stunning views of Earth. We can see our fragile atmosphere shimmering with the Aurora Borealis and share in the moment when the crew witnesses 9/11 unfolding from 250 miles up. There are disasters and triumphs and by the end, if you’re anything like me, you’re in awe of what people can do when they work together.

But what’s this all got to do with glass?

Aaron Colton is ready to ride his motorcycle through The Corning Museum of Glass. *

As the world’s foremost glass museum, we often entertain some interesting ideas—but perhaps the wildest one yet was a call we received two years ago from Red Bull. “We’d like to have a stunt motorcyclist drive around The Corning Museum of Glass—kind of like a ‘bull in a china shop.’” Sure, it would have been easy to see the impossibilities in that simple concept. We’re a glass museum! Motorcycles and glass absolutely do not mix. But… could they? Often, it’s the out-of-the-box ideas that yield the biggest rewards. And so, we embarked on an exciting collaboration that culminated in a video released today on Red Bull’s channels.

Red Bull athlete and stunt motorcyclist Aaron Colton was engaged to create a custom-built, all-electric bike for this unique exploration of our galleries and hot shop. Colton’s Bike Builds series is a staple of Red Bull’s offerings, and this episode would follow his journey of not only building a type of bike he hadn’t built before—during a global pandemic, no less!—but would show the effort it takes to turn “no”s into “yes”s. Too many times, an exciting idea comes about, and it stops in its tracks because a location can’t accommodate a traditional, combustion motorcycle complete with fuel and noise. Colton and Red Bull would literally be creating a way to turn ideas into realities.

Burning Questions Answered on #AskACurator Day

The leaves are changing from green to orange, the glass pumpkins are fully on display: fall is here at the Museum!

With fall comes one of our favorite virtual events: #AskACurator Day, where folks from around the world can ask museum professionals questions about their work. This year, #AskACurator Day fell on September 15 and we were lucky enough to have all of CMoG’s curators available to answer questions on Twitter.

A Bull in a China Shop: Red Bull Spends a Night at the Museum

A Bordeaux Wine Glass by Riedel (83.3.222), featured in the 2021 exhibition Fire and Vine: The Story of Glass and Wine

It seems obvious to say it out loud, but we see glass everywhere these days. Funny, right?

For centuries we’ve thought about glass as something to be looked through but not seen. The cleaner the window, the clearer the uninterrupted view. Or glass is utilitarian to the point of invisibility. After all, it’s about the wine and not the vessel; it’s our reflection, not the quality of the mirror that is important. Often—if glass does its job correctly—it goes unnoticed, working not to draw attention to itself but to instead bring everything else into sharp focus.

But that’s not necessarily true anymore, and perhaps never was. Glass has long been changing the game. From early obsidian tools to revolutionary advancements in modern science and technology, from the Venetian masters to the American Studio Glass movement and beyond, glass has been a trusted tool and commodity, shaping cultures on almost every continent. Whenever the proverbial “lightbulb moment” happened, glass has transformed and illuminated the world we live in, right up to and including the COVID-19 pandemic, during which optical fiber was essential to keeping people connected virtually and Valor® glass vials have delivered life-saving vaccines to millions across the globe.

No Sign of Slowing Down: The Corning Museum of Glass Turns 70!

For America, the 1950s was a decade of highs and lows. In the wake of the second world war, the nation experienced a booming economy, a rapidly growing population, and watched as its cities and suburbs spread across the land to house a new generation. But the 50s were also the dawn of new conflicts, including the Cold War and the fight for Civil Rights.

In the spring of 1951, five people witnessed the unfolding of this new America from the small galleries and offices of the newly opened Corning Museum of Glass. Those five made up the entire staff back then! Conceived as an educational institution entirely separate from its benefactor, Corning Glass Works (now Corning Incorporated), the Museum sought to expand the world’s understanding of glass. And ever since, the Museum has inspired people to see glass in a new light, a mission that remains at the forefront of our institutional culture 70 years later.

To celebrate the Museum’s 70th anniversary, we’ve taken a trip through the archives to highlight some unforgettable moments.

So, let’s go back to where it all began.

The Life-Saving Work of Glass: Corning’s Valor Glass Houses COVID-19 Vaccine

The lightbulb. Pyrex®. Optical fiber. The catalytic converter. Gorilla® Glass. Valor® Glass. You’ve likely heard of most of these revolutionary innovations in glass, all of which came out of Corning, NY. And although the last one may be unfamiliar to you now, it’s about to serve a very significant purpose: housing and transporting the life-saving vaccine for COVID-19.

Valor Glass Lab. Photo courtesy of Corning Incorporated.

Corning Incorporated has been on the cutting edge of glass innovation for nearly 170 years, providing solutions to problems and shaping the way we live our daily lives. It’s a company many across the world have never heard of, however, nearly everyone has interacted with technology developed here in this small town of 11,000 people.

Although you likely don’t realize it, Corning’s technologies have played a role in how we’ve adapted to the COVID-era from the beginning. Never before has there been such an intense need to remain connected while we’re apart. And how have we done that? By interacting with each other through glass displays and transmitting all communications with co-workers, loved ones, and others, via optical fiber. We are literally connected by glass, and so it’s somehow unsurprising—yet immensely remarkable—that Corning’s technology is also on the frontlines of the fight against the virus itself.